Art Critic; chief curator Italian National Contemporary Art Museum (MAXXI), Rome (Italy) What cultural dimensional insights can be drawn from the juxtaposition of our contemporary visions of the future with those of the optimistic and utopian visions of the 1950s? How and why are today?s artists appropriating current and ?past future? perspectives of the city?
Our November/December 2011 issue features new technology for eavesdropping on the hive mind, an essay on the evolution of privacy, and much more.
October 17, 2011 Joichi Ito, Director, MIT Media Lab (USA) Enabling Emergent Voices And Expression Through Technology Respondent: Brendan Mcgetrick, Independent Writer & Designer (China) Moore's law and the Internet have dramatically reduced ...
02/14/11 Luginsland (On Art as Research) Florian Dombois, founder of the Y - Institute of Interdisciplinarity at the Bern University of the Arts, Bern, Switzerland? Respondent: Ute Meta Bauer, ACT Director and Associate Professor Luginsland ...
03/28/11 Transborder Disturbances: Aesthetics, Interventions and Technology? Ricardo Dominguez, artist, activist and Associate Professor of Visual Arts, UCSD Respondent: Christopher Csikszentmihalyi, Director, MIT Center for Future Civic Media ...
On May 19, 2013, 250 members of the MIT community gathered on Jack Barry Field with LED outfitted umbrellas as part of UP: The Umbrella Project.
Through this popular annual loan program, individual students and student groups may borrow original works of art from the collection for their private rooms and communal spaces.
Social phobias affect about 15 million adults in the United States, according to the National Institute of Mental Health, and surveys show that public speaking is high on the list of such phobias. For some people, these fears of social situations can be especially ...
Sharmila C. Chatterjee, senior lecturer in marketing at the MIT Sloan School of Management, explains how to create a smart content marketing strategy.
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